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The Value of Higher EducationMichael, In one of your blogs you mentioned Colorado College and how you were turned off by their blasé treatment of your family. That's because CC is an elitist school like many others. I am familiar with it because I have twp family members who work there, one as a prof and another as an employee. Also, my niece is a recent graduate. Their academic program is very good but the one thing they can offer that UC Denver cannot is an international network of grads that amounts to membership in a special society, a mini-Skull and Bones if you will. That part is invaluable when it comes to employment and placement in grad schools or government. Something to think about. Jon R Horton/Colorado Springs CO
Spiritual Feminism vs the American Political Model
jackson hole blog
by j.r. horton
january 2006
about 2000 years ago there was a fundamental, profound, change in the Zeitgeist—a shift in the fundamental psychology of the human race. the old way of thinking, as exemplified in the Old Testament, was shifted out of place by Christianity. the new way of thinking about religion and spirituality was still rooted in the old paradigm, but the change was profound. we are now in the middle of another paradigm shift in the basic psychology of the species homo sapiens sapiens and the change is, most understandably, confusing.
The fresh advent of the universal feminine will undergo, almost surely, as long a process as the religion of the Christ took to become ascendent. Let me explain that.
the whole of western civilization is based on the Pentateuch of the Jews, given to them during their exodus from Egypt. a paradigm shift previous to the advent of Jesus the Christ happened with Moses came down with the ten commandments that provided the base of the Pentateuch, the five books of the Torah. All our laws and ethical standards, our very civilization, springs from the teachings of the Torah, and that is no exaggeration.
there is one event described in Exodus that is particularly a propos to the present situation in the Western world, where religion and secularism oppose one another—the incident of the Golden Calf. it happened when Moses came down from Mount Sinai with the new model for human conduct and found half the Israelites dancing around a gold idol from the earlier world and its animistic gods. Moses was appalled at the licentious conduct of half his people and ordered the symbol of secularism destroyed, but some of the revelers never were redeemed by the Law. instead, they followed their worldly, physical urgings and continued with their atheistic behaviors. They refused to accept anything that said Thou shalt not and their motto may well have been "If it feels good do it". an ad exemplum of a promiscuous, mostly concience-less culture is Israel, which is over 80% secular. examining their conduct toward the Palestinians and their neighbors over the last 50 years will serve well enough to illustrate the point.
to my mind, what is currently called the culture wars stems from that ancient split in the Jews' society, and the fissure runs through the Western world today. America is ostensibly split down the middle with conduct based on the Law and conduct based on the atheistic and perverse behavior of the Golden Calf people strenuously opposing one another. more specifically, on the Left are the secular American Jews, feminists with their feckless academic acolytes, and disaffected minorities like blacks and homosexuals. On the Right are the religious (versus spiritual), particularly the pinhead fundamentalist Christians, plus some others with a wider latitude of character who, finally, believe that living according to the teachings of the Torah and/or Jesus Christ is the model for conducting their lives.
so, back to the new spirituality that is burgeoning in the world. the Feminine is taking its place beside the corrupt world that has been rampant for the last 2000 years or so—a world managed by priests who claimed the only way to access the grace of God was through the ministrations of themselves. that notion was created when someone, not Jesus, said that Man was himself corrupt and born into a natural sin that could be absolved only through the catholic churches. and all that was based on the poisonous creation myth of The Fall in the Garden of Eden.
This new spirituality is not new, in fact it is part and parcel with the teachings of some mystical Jewish thought that blossomed in 14th Century Spain and Palestine, notably in the city of Safed. in that esoteric world you will find the feminine figure of the Shekinah. she was radiance itself, the equivalent of the Christians’ Holy Ghost, and was the pillar of fire that Moses saw in Sinai. in some esoteric Jewish traditions it is said that after God created the world he gave it over to the Second spirits, in the form of the male and female deities El and Shekinah for them to tend to the lives of frail humans.
there is a teaching in Gnosticism that those two deities were named Yahweh (YHVH) and Sophia (Wisdom) and that tradition teaches that one day YHVH was gazing at the clouds and saw a figure striding across the sky. intrigued, he took some red clay (adama) and modeled the figure he had seen in the sky. but after detailing the physical features he grew bored and put it aside, where it stumbled around murmuring gutteral sounds. Sophia had been watching YHVH and saw that he had again exhibited his arbitrary, inattentive nature by leaving this little figure undone. she picked Adam up and breathed the spirit of her wisdom into his body and he was whole. Now isn’t that a more generous creation myth of a woman having sex with a snake and. So, condemning all humans to hell?
it is this model of co-equal male and female gods that will eventually displace the evil notion that it is only through the ministrations of a male priesthood that Mankind can find their way to heaven. and, by the way, i believe that is at the heart of the scandals of homosexual predators in the priesthood—half their psyches are missing, the feminine half, so they fix on other immature males as sexual objects.
if you are scandalized by what i have written so far, get a load of this: Much of American femininism is as evil and corrupt as the priesthood tradition because they have debased the spiritual and replaced it with the political. they are just more people of the Golden Calf, denying anything larger than their vicious political world. In other countries, most notably in the Middle East and other third world countries, women are coming into their own naturally. meanwhile in this country, the promiscuous little women of American feminism think that acting like men, and men at their worst, will propel them to the top. they don’t have a prayer.
Another Pilgrim’s Progress—Part 2
jackson hole blog
by j.r. horton
december 2005
what do you do when you understand that the quotidian world must be your resident reality? the exhilaration of a the recent experiences of altered states must become ephemeral if one wants to participate in the world where fellow human beings spend all their time. After all, a guy can’t get laid regularly in that other place. gotta eat, too. you step back onto the path of normative spirituality, but now understand that there are alternatives. it’s now a matter of finding a path that fits your feet, and will lead you to a place that transcends the place where your butt is sitting.
while waiting for the spirit to move me, i opted for more alcohol and drugs, especially cocaine, to stop the tedium and give me a phantom experience that was vaguely reminiscent of my recent other-worldly past. it became pure Hell itself, but it worked.
i began drinking alcohol as a palliative when i was seventeen. at fourteen i’d started to fall in the world of clinical depression, but the night i first drank a 6-pak of Coors beer my world changed. i finally had some relief from a family life where alcoholism and violence were the norm—the Saturday Night Fights full, and up close.
drinking carried me through the stress of college and the military, where i began to exhibit all the symptoms of full-blown alcoholism. i was in trouble constantly but my job performance as a Russian linguist and intelligence analyst kept me afloat for about two years, before i was sent to the Air Force’s equivalent of Coventry for the remnant months of my enlistment.
eventually, almost 25 years later, i had had enough. one Sunday i got down on my knees and pleaded to God, for the first time sincerely, for help—and very real miracles began to happen. this is now a story of a spiritual conversion. but first, a major digression.
here is my version of the history of Christian dogma in a nutshell, and this is where the description of myself as a skeptik kicks in.
if you read the all stories from Exodus you will begin to understand why the Jews needed a schooling from God who, in the human form of the messiah Jesus the Christ, appeared to convert them to the paths of charity and love for all humankind, regardless of their ostensible enemies’ religious beliefs.
in the book of Exodus, Moses comes down from Mount Sinai to discover that some half the Israelites have reverted to pagan worship in the form licentious rituals meant to honor the pagan god as represented by the Golden Calf. This is a metaphor (most of the Old Testament is couched in metaphor, the language of a pre-literate time) for the division between secular and religious Jews, and it continues intact to these times. the secular cast of the present-day Europe and America has its roots in that time, when half the founding culture of the modern world lived by the strictures of the Decalog and the other half insisted that “if it feels good do it.” to my mind, that is a corrupt philosophy that has, for one thing, given us the major plague of moden times HIV AIDS as well as other curses. but the mainstreaming of homosexuality, and other mortal and dangerous conduct, continues unabated, in spite of the horrific evidence.
And what about the founding of modern Christianity? First, there is the adoption of the terrible story of Adam and Eve from the Jewish canon, where Eve has sex with Satan in the form of a snake, the creation myth that founds, in order, all the major monotheistic religions: Judaism, Christianity and Moslems.
now back to my time on this planet: it’s 1988 and i am down on my knees, praying to a God i don’t believe in for succor. and then a very real miracle happens.
it was Sunday the 13th of May. i had spent most of the evening and night swilling scotch whisky at Griff’s Wapiti Lodge, the only restaurant and decent bar in the Wapiti Valley, west of Cody and halfway to the east gate of Yellowstone National Park.
that morning i woke to find my truck missing from the driveway and, assuming i had caught a ride home, i started to walk down the Green Creek road to the highway to catch a ride to Griff’s, and reclaim my vehicle. about a hundred years down the hill i found the pickup stranded pecariously on large rocks that formed the base of the road, just above a culvert. now sober, i figured out how to get back on the road then drove back to the house. and it was then that i got down on my knees and asked whoever was up there, honestly, for help. nothing happened. i dried my tears and went to the refrigerator to see if, perhaps, a beer might have dropped behind the crisper drawer and i could use it to slake my thirst for alcohol in any form.
at that point, i had a prompting, a realization, that i was at an irrevocable turning point. the voice told me that if i drank that day i would die, and i knew it was profoundly true. it was ten-o-clock in the morning and the only bar in the valley opened on noon on Sunday and i was so, so thirsty. in a past search for a treatment center i’d decided that i’d rather die than take on another ten thousand dollars of debt when the process of forfeiting my truck and my house for non-payment was well under way. i had nothing to lose so why not get utterly drunk on my last few dollars then lie down on the bed and shoot myself? i’d practiced the act often enough, in the hope that when the time came the act would come reflexively.
resigned to the apparent fact that this Sunday was the last day of my life, i turned on the TV to watch a football game and wait until the bar opened.
only minutes later an announcement appeared on the screen: Remember, if you are a Viet Nam-era veteran you are entitled to…drug and alcohol treatment…”
i got up to phone the VA hospital in Sheridan, Wyoming and a women answered to inform me that there was a three-month waiting list for treatment. Sorry.
i went back to the front room and was watching my last football game when the phone rang, and it was the same woman. “Mr. Horton, we just had a cancellation. Can you be here on Tuesday?”
i said "Yes, I’ll be there", and went back to sit in my chair to watch the rest of the game, knowing that i was going to finally be OK—i was going to live.
a succession of more, very real, miracles came to pass after that, but that’s another set of stories.
Merry Christmas and Happy Holidays
Another Pilgrim’s Progress—Part 1
jackson hole blog
by j.r. horton
december 2005
‘tis the season of the Christians. It’s also the season of Hannuka for the Jews, the Feast of Fitr for the Moslems, Midwinter Solstice for various religions, and Kwanzaa for blacks and some others. I’m a Christian apologist, and sceptic, so I’m going to talk about my faith, the contradictions of Christian orthodoxy, and describe my personal conversion experience when Jesus Christ spoke to me personally, and told me who he was.
when i was sixteen or seventeen and at an Episcopalian Sunday service, we were reciting the Nicene Creed. When the unison reached the part where it says, On the third day he rose again, in accordance with the Scriptures; he ascended into heaven…
i thought, i don’t believe that! the idea that a man, even Christ, could die, be dead for three days, then be resurrected was so implausible that i decided i could no longer be a believer and ergo not a Christian. that decision would lead me down many painful, and sometimes exhilarating, roads in search of a replacement for the faith of my childhood.
over the years, i studied odd Christian sects like Gnosticism, as well as Judaism, Buddhism and, when that last failed, dove into the world of altered states of mind popular in the 60s. That was revelatory and gave me insights—and a fearless platform, for later experiences in the Native Church of America and the hallucinogenic rites of the Ashanika who live in the deep jungles of Peru. by definition, there is no logical way to describe the experience of altered states but, by way of a possible description: try to imagine your body becoming music. Here is a long excerpt from my novel Murder in Mixteca that may serve as a help to understanding the experience of another reality that parallels the quotidian, where absolutely anything is possible, and is as real as the one we are chained to in the name of reality.
Chapter Twelve
“In Berkeley, Pete Villareal reached in the pouch of his hooded sweatshirt, took out a plastic bag and dropped it onto the desk of the watch commander.
“There it is. I finally scored one.”
“What?”
“The Gate to Heaven.”
“Looks more like The Gate to the Dog Run to me.”
“That’s because it’s been dried.”
“OK, so a dried dog turd. What are you trying to tell me?”
“This is a mushroom that was developed here in Berkeley, supposedly from spores that were over two thousand years old. It’s supposed to be the ‘shroom that the royalty of the Inca and Nazca people used as a way to visit the gods.”
“This is the one they’re feeding the soul tourists here and down south?”
“The same one. It’s real powerful stuff. The ones who have freaked on this have freaked in a real big way, apparently. Full blown psychotic episodes, flashbacks...”
“Who’s peddling this shit, anyway? Where did you find it?”
“A guy named Baret Froehlich. He’s a typical campus freak genius—forty-one years old, has two Masters of Science degrees, one Master of Arts degree, works up at Lawrence Berkeley Labs as a computer whiz while he is working on his Ph.D. in paleomicology. You know the type.”
The Captain grimaced, “Yeah. Has an IQ of 190, lives with a goat and four dogs in a redwood shingle-sided tree house he designed and built himself and also did the two hundred stained glass windows. He has two women, one in her forties who’s a potter and weaver and another in her twenties, a grad student who is doing them both—another groovy little household in the hills.”
“Nah. This one apparently hates women. And men too.”
“So the goat’s the lucky one. Tell me the rest of the story.”
“They guy has a lab somewhere in Oakland and he gets his money from a foundation in Florida. He apparently developed the ‘shroom by resurrecting the DNA from the dust of the old ones, then welding them to the cells of some new ones... Hell, don’t expect me to explain all that biological stuff. At any rate, he’s come up with a winner on the Nob Hill/Marin County dope scene.” He pointed at the object in the bag. “Guess how much.”
“For this?”
“Yeah.”
Fifty bucks.”
“Lots more. Guess again.”
“Five hundred bucks.”
Villareal rolled his eyes to the ceiling. “You got no imagination. I’m surprised you didn’t start at five bucks.”
“I was going to, but I changed my mind.”
“Shit, Cap.” Pete picked the bag up, stared at the black object and said, “Two thousand dollars.”
The commander grabbed the bag. “Gimme that!” He turned it over and looked at the other side. “Still looks like a dog turd to me. What the fuck makes this thing worth that kinda money?”
“Two things. People I SF and the Silicon Valley money who think two grand is chump change, for one. Plus...this turd will put you in a place you can’t even imagine. Even the freakouts say it was the most important thing that ever happened to them.” “Going nuts.”
“Going to Heaven.”
“So, now what?”
“I’m going to find the lab so we can bust it, for one. Unless I’m nuts, this beauty is going to find its way to the streets and we’ll have kids flying out of dorm windows like bats out of Carlsbad Caverns. i want to stop it.” “Me too. I remember those days too. i helped pick up a couple of ‘em when i was a patrolman. One walked out onto the freeway and musta been hit forty times before it was over. What a mess.”
Villareal reached down and picked up the mushroom. The Captain reached out and snatched it back. “I gotta show this to the guys. Two thousand bucks!” He stood up. “I’ll get an evidence locker going for this case. It’ll be in there.”
“OK. But don’t even handle it. If it’s as powerful as they say it is, you could go on a trip just from the spores on your hands, as old and straight as you are.”
The man smiled and waved him away. “Go write your report.”
“I’m not done yet. I have one more visit to make.” Pete walked down the hall and down the stairs to the front door of the police station. He crossed the street and got into his car, a Porsche Speedster. He started the engine and let it rough-idle for a moment. He turned on the wipers to clear the condensation from the windshield. Then he reached under his sweatshirt and into the pocket of the shirt underneath. He took out another plastic bag and held it up to the lights of the passing cars. Inside was another, smaller, mottled black and orange mushroom.
Pete drove down Shattuck to Channing and turned left, driving slowly past People’s Park, then to frat row and right to Dwight Way. He then turned left at the abandoned school for the deaf, drove up the hill past the student housing apartments, turned left and then drove down the steep drive to the old neo-colonial Smythe House, which had been divided into two large apartments. Once upstairs, he went to the fridge and poured himself a glass of apple juice. He crossed the large front room, his feet making comfortable slaps on the old hardwood flooring he had spent days refinishing. He opened the big french doors and went out on the verandah, sat down in his chair and looked out over the city.
The lights of San Francisco, across the bay, punctured the night and limned the dark sky above it with a pale green aureole. The orange lights of the bay bridge were draped across the dark, invisible waters between the two cities, suturing them together.
Pete sat down and put the glass of apple juice on the table. He had decided on the way from his score to the police station that he was going to keep the second mushroom. And he was going to eat it.
All his training had taught him that this was a line which he was not to cross. If smoking a little dope meant building a case then it was within the boundaries of good police procedure, for California anyway. But keeping a controlled substance for personal consumption was crossing a line which could not be stepped back over if he were caught. He’d never had the problems that so many of his brothers on the force had when it came to sampling the cocaine and money that turned up by the bushel basket at some of the busts. He’d been tempted not one whit. But, for some reason, this night, it was different.
Pete sipped the last of the apple juice, put down the glass and stood He walked to the low wall of the verandah and looked out at the cities’ lights again.
The old feelings came flooding back on him. The camaraderie, the clandestine meetings, the feeling of power and the possibility of changing the world, the secrets in the night.
The night, ah the night. Sweet with the scent of the big tulip tree downhill, in the middle of the steep yard. And all the other night blooming flowers that made it all so sweet. Sweet. Soft.
Pete stepped up onto the low wall of the verandah and looked down. The light on the wall next to the apartment door downstairs dropped a delicious cone of custardy light down onto a pair of woman’s running shoes, the laces drooping in a nice languorous pile between the shoes. Luminescent blue and white shoes. His own shoes were white and luminous too. And the scene below was taking place between the toes of those shoes.
He wondered if Courtney was home. The girl who owned the shoes. She lived downstairs with her boyfriend. Sweet Courtney with the perfect bottom.
He stepped out onto the night. There was a faint crack as his weight came down, but just the faintest little crack. He took another step and looked between his legs. Yup, the light was on in her room. She’d be studying.
He looked out over the steep, sloping yard then over to the apartment buildings next door to the left. The kids’ swings were hanging stiff and bright, chains glinting with the dampness from the night air, seats hanging from the chains in nice little crescents. Like smiles.
To the right, the prayer flags at the Nepal House were vibrant, their folds and drapes seeming to breathe in and out. Alive.
A few strides more and stood directly above the tulip tree with its huge fleshy flowers. Somewhere in the dark below there was jasmine, too. The scent was much stronger when you stood over the tree, the smell rising in a pillar of delicious smell. Nice.
He looked out at the city across the bay. He could see Coit and the Transamerica building. Everything right where it was supposed to be. Pulsing. The bay and city breathing too. Alive too.
It occurred to him that he was doing the impossible but, at the same time, anything seemed possible. This was the feeling that he had wanted, this was the reason he’d known he was going to eat the mushroom the minute he’d gotten into his car at Oz’s.
When he was young everything had seemed possible and he’d never been afraid. He’d felt...immortal. All the doubt, the fear and the other stuff had come later.
Villareal strode out over the hill, toward the apartment building across the street. Some students were having a little party on a fourth floor balcony, eating from huge pizzas and drinking beer. The Grateful Dead were singing, playing, singing, playing. He walked by. A young woman put a slice of pizza in her mouth and looked out into the night. Her face froze, her eyes widened. Pete smiled at her.
The next building was more apartments. Someone playing the piano, someone cooking...curry. Yeah, curry and fish, probably rice of some kind. Exchange students.
Someone ironing shirts, the smell of hot starch.
A guy lying on the roof on a sleeping bag, smoking a joint and looking at the stars. He didn’t even see Pete, though he walked by no more than thirty feet above the guy’s face. Probably too stoned. Or maybe he saw and it made perfect sense, a man walking by on the night.
Hey, this is pretty neat, he thought. What a perspective. What a great way to see the world that you see every day, but in a completely new way.
The next building was dark. A university building, probably. And then the church and above the church a horse and rider.
The cop was not afraid. This was what he had come to meet. He’d known someone was waiting for him when he’d first stepped off the verandah and onto the night.
The horse was white, had huge, expressive eyes and was unafraid. Just like Pete. There was a great deal of love in the horse’s eyes and he was trying to communicate with Pete—something. Yes. Stop there, the horse was thinking. Pete stopped.
The rider nudged the horse with his heels and the horse started toward Pete, prancing in the air above the intersection in front of the church. His hooves made a very soft “chuff’, “chuff”, as though he were putting his beautiful feet down in dust, or sand maybe.
The horse stopped and Pete looked at the rider’s foot, his eyes drawn by the silver-mounted tapadero and the silver piping that ran up the man’s pants.
The man’s hands were strong, the reins running through large fingers. The fingers twitched the reins and the horse made one prancing step forward and turned sideways.
Pete looked up and saw that the man was looking down, at the street below. Pete looked down also. An oriental man was standing at the corner, looking up. His face mouth was open. He dropped the sack he was carrying and Chinese food cartons tumbled to the pavement. He froze in place, not moving. Just looking up with his mouth open and his eyes large behind the thick eyeglasses.
He looked up and the rider looked up at the same time. The wide brim of the big sombrero, midnight blue with flashing rosettes of silver thread, rose until Pete could see under the sombrero. And under the brim of the hat, in the blackness under the hat was a fingernail moon. A thin crescent moon that resembled a lopsided smile. There were also stars. And the stars meant something. Something that stirred him deeply, way down in his heart’s blood.
Pete stood there for a moment and then moved his eyes away from the night face and looked at the horse. But the horse turned his head, spun slowly and began to walk away with a pasofino gait that was so beautiful that Pete found himself crying. Tears running down his face.
He wiped his face and turned around. He walked toward his distant house, which he could see directly across from him. It was beautiful. White with red tiles. Warm windows.
Walking at a good pace, he was at the house in a few moments and stepped onto the wall of the verandah. The stucco cracked and this time the crack was loud.
He stepped down onto the verandah, walked to the kitchen and ran a glass of water. He drank it and it was sweet. Sweet mountain water.
The man washed his face. The water flashed and glittered, fell from his hands in waves of light and sound, swished down the bowl and fell into the drain with tinkling sounds that made him laugh aloud. He flicked water out into the room and it arced and bounced then ran around the floor and out under the door. He went to the verandah and looked out into the night. The city was there still. And it was beautiful. Still breathing. Alive. So alive.”
This is getting to be too long to digest at one sitting. More later.
The Moods of November
jackson hole blog
by j.r. horton
november 2005
i feel poetic today. it’s november and the only time of the year where Scorpios can be honest about how they feel, and that isn’t a simple thing. my life has been, in a word, bittersweet and, from what i understand from others born under that sign, their lives can be described in much the same way—complex and bittersweet.
the feelings that infuse me during this month are always very mortal, carrying me into considerations about what it means to be human. To illustrate those feelings and thoughts, i am again going to offer some more of my poetry.
NEW MOON IN NOVEMBER
It’s a new moon in November this night and the river’s running cold, down the hill the wind blew cold this afternoon too and the music i hear is as bitter as love and painfully sweet as the time and memories i kill
A voice sings to me lying here in the dark and to the moon waxing up there in the sky as it splashes its light around like tears flying from the faces of God struck dancers that fall to wash my moon struck sill
My lovers were few but my losses were great for my life was engorged until i was undone by my appetite for each one’s very breath and i fear that i may have suffocated them all one by each faithless one
I remember their touch and the taste of each mouth and my slippery fingers and slippery hands and the heat of their guts and smell of their hair and their names come back to me even in dream one by each faithless one
And the moonlight falls through the window like iron shaking the floor beams and shaking my heart for i cannot forget and God! i still feel and the man on the radio weaves at his song in a November night sharp and heartless as steel
THE PANE OF MOONLIGHT
Full winter moon so far from summer and you but the light and night are much the same as i wake to your passionate kisses
There was a pane of moonlight on my bed and a presence in the room which had slipped somehow in from summer flying from a cold and cruel night where i hear passing footsteps crunch by in brilliant snowlight
Kiss me I remember i said in summer and your penumbra of black hair descended to put your mouth on mine to offer your little tongue as my head and heart were enveloped in the darkness of your kisses
I see you turn your chin up offering your very center then you are quickly up and ready to run again
There’s blood on your bed you said
Then i feel the slipping highway going blue beneath us as we drive on into evening and the golden grain gonecopper green is undulant beneath a red-streaked and dying sun
Again you are in the distance one hand on hip one working at your art blue blouse crimson skirt baseball cap gilded grass and lowering sun and in the distance dun colored hills empurpled mountains and violet shadow dissolving from black line and smudge to pool between the trees in the last of the light your favorite time of day
I saw this through the pane of cold moonlight cast upon my bed and then exhausted from the work of memory dropped back into the slipping dream that always paces just ahead of its dark sister
HEARTS CAN SLEEP
Crimson leaf littered scalloped at the edges with evening ice this black-backed silver pool drains from the heart of the hollow hill bathes colored stones set by strong spring currents
The cold and glittering flares of Orion find this translucent running ribbon and brilliantly set themselves among stones giving up their colors to the quickly coming November night
Autumn ice
The trees along this darkening course have hearts that go to sleep as hearts must from time to time
Winter is the hardest season it comes not for good but for good reason
The Descent of the Seasons
jackson hole blog
by j.r. horton
october 2005
it’s the end of the vital seasons, Spring and Summer, when grass jumps out of the ground, trees wave green banners at the world, and waters that were recently snow cascade down to impress the folks who ordinarily have little connection with the real world. now is the time of the waving seas of grain described in America the Beautiful. that anthem was written atop Pike’s Peak, which i am looking at this moment.
This is the month before my birth month and it always describes itself in a slowly descending flat spiral that lasts until December and the the advent of the holiday, holy day, season of many of the world’s religions.
Not to be lazy, but October is usually the time when poetry begins to wend its say through my mind. That and May, when lighter thoughts bubble up.
Here are a couple that illustrate those feelings.
IDAHO HARVEST
Harvest moon above the Tetons
Copses of yellow autumn aspen stand on the golden stubbled hills below a chilly and dusty sky below the pink plump harvest moon below a lambent lavender heaven
In the orange and crimson western sky the purple mountains show a ragged smile and yellow dots of light waggle through silvery vales of cropped barley
Huge machines and their dusty people crawl onto the roads
Groaning trucks of grain coaxed by tired kerchiefed women the steering gear gripped by dirty hands lumber down the darkening highways running before the chilling moon
God! the smell of fresh cut grain and dust the musk of beaten earth and the song of tires whining on the narrow blacktop roads rises to heaven itself
Surely this song of machines and hearts these smells and these people’s work please God
All these strong men and good women the fine boys and gleaner girls these industrious people girding themselves for the night work that still lies ahead
Surely they please the God who has given them this light to work by
I WANT A GARDEN
I want a garden
It is winter and i am tired of shoveling snow chopping wood living alone eating pasta, beans, elkmeat half of which is finally fit only for the neighbors’ yellow dog so it goes in the snow for her to glean as she forages by
Listening to the radio in the night I drift to dream
There i find Dutch scenes of flowers alive with summer butterflies worms, water snakes and birds beetles, bugs and more
I put my fingers in the ground it moves I turn up last year’s leaf, manure gorge my memory with smell of monthly slough lilac gardenia a perfect little ear in moonlight shelled and troughed winking circlet gold
I remember the flesh of flowers: tall Iris dark ocean blue enough to dive into striped by a strand of gold on white
Pansies bright varied as bikinis on a beach bitchy little faces turn to whisper: “A five, tops” as i stroll by
Thin climbing Clematis running up the wall gathered to gossip giddily shaking their heads in the sun
Down on my knees in dream i divide the huddling Hyacinth and memory of myth fills up my mind with a perfume clean and like no other
The yellow Mormon Rose bush with smiling little Janus faces two and two and two are polite as ever bright as the mountain air itself they always say: “Good morning” especially in the evening
And on the north the captive Columbine brought here from the wild, they mob turn their secretive little heads plot their flights back to the hills to the green glades where they were plundered plotting little shits, I’m sure
And Poppy bright but not too bright always sunny, talks only of the weather understands even less good company for a morning moment’s chat but very little more
Finally i go to Begonia to lift her heavy head sleepy, pouty, pliant as a whore at eight of a morning her flesh in my hands, willing warm in the early morning sun she whispers sleepily: “Okay.”
I roll, and wake it is night and I’m alone
I prise the blinds above my bed see snow is dumbly falling still
In the garage leaning against the wall and waiting the spade folds imaginary arms
I want a garden
Author Dons Publishing Cap and it Fits
jackson hole blog Sunlight Publishing has a new web site:
by j.r. horton
september 2005
From and interview in the Jackson Hole News & Guide
author Jon Horton, who writes his mysteries under the pen name J. Royal Horton and his Westerns as Jon R. Horton, will now be known also as Sunlight Publishing LLC.
Born and raised in Wyoming, he says, "I always wanted to express the feelings i got when looking at the enormous landscapes of my state. i also wanted to write about the West from a perspective of someone whose family has been here since the 1840s.
"However, the West has almost always been described by Easterners who may have spent a summer or two in the mountains, but little more. That hasn't changed all that much, with strangers still telling our history."
From his stories, Horton's experiences with editors and publishers have been serial wrecks. A major publishing house wanted his first novel, Murder in Jackson Hole , but demanded a series of politically correct edits that he couldn't accept. Next, a regional publisher took the book and the Munchausian owner of the company led the author on a canard chase that ended when Horton demanded the book rights be returned. Next came a small house in Colorado, Sunlight Publishing. Things went well for three years, but the owner suffered a series of health crises that foundered the three books Horton had written. It was at this point that i realized a profound truth about publishin in America: THE EDITORS ARE THE ONLY PEOPLE IN THE BUSINESS WHO ARE TRULY LITERATE—ALL THE REST OF THEM ARE SALES WOMEN AND BEAN COUNTERS.
"After that, i had three agents who tried to find a home for my books in New York. All of them gave up, finally, and i couldn't figure out what was wrong. The books had been successes in the West, why not in the rest of the country? When my last agent threw in the towel i asked him straight out—'What is wrong? Is it my writing, or what?' He said, 'Jon, the American publishing world is run by women, for women, and your books are way too masculine.'
"I had noticed that when the Jackson Hole Writers put on their July conference, almost all the New York and California participants were women. But i hadn't extrapolated from that sample.
"And this guy, the agent, had been an editor for fifteen years in New York before becoming an agent for ten years! He is looking now for women authors almost exclusively."
It was at this point that Jon decided to take over Sunlight Publishing, even though it meant almost as much work as writing the books. With three books in his Jackson Hole Mysteries series finished and, three more scheduled, that seems a lot to take on. "Lucky for me," he says, "there has been a happy conjunction of personal computers and publishing software, the World Wide Web, and print-on-demand technology.
"I still have to hire a professional editor and a professional computer graphics person who can do book layouts, brochures, flyers and other ephemera. They are not cheap but when you have toiled scrupulously over a manuscript, sent it to the editor, and got it back awash in a wreck of red ink, you come to realize the value of an editor's eye.
"An ambitious person might buy a copy of Adobe or Quark software, to begin the process of making a book. Forget it. People with four-year degrees in design still spend years learning the ins and outs of those programs. Hire a pro graphics artist, not your friend next door with $69 design software closed out at Office Depot.
"Next. What about a publisher? Unless you are a talented woman who networked successfully with another woman at a writers conference, you can either
1. Give up
2. Write another book or two and run the gauntlet again, and again.
3. Or you can look at starting a small publishing corporation of your own. It just takes a couple of hundred dollar bills and a letter to your secretary of state. You can get legal software off the net that will serve, but you are better off getting a cheap, young lawyer who is just starting out in the world. The idea of a corp is to stand between you (and your property) and the guy with the steam whistling out of his ears because he thinks he's been damaged in some way.
"And a printer. The need for a printer is obvious. In order to get a discount from a conventional printer you have to order a bunch of books. One of the items you will almost surely overlook is warehousing this stock for which you got a small discount. i have been pay $45 a month for years to house my four titles. i don't know how much it has cost me, but it is in the thousands of dollars. And i probably saved $200 on the printing discount! "Print-on-demand is a godsend for small authors. The idea is that instead of printing a bunch of books and sending them to the publisher, the books are stored as an electronic file in the printing press and orders are fulfilled by the press itself. Even if only one book is ordered, the press retrieves the file, prints the book, and shoots it out onto a conveyer belt to the shipping department. Cool.
"Distribution. You have to be able to get books to the people and stores who order them. Baker and Taylor distributes books. Ingram is the biggest book distributor in America and that's why i use their print-on-demand subsidiary, Lightning Source. There are a bunch of other companies who offer this service but remember, caveat emptor . There are scamsters galore out there who will take your money and give you a ride. Check 'em out very closely before you give them any money."
"Public relations. There are lots of free services on the web. There is a lot of software available but you want a package that doesn't cost you $39.95 and comes with access to real professions. For instance, go to Google and type in 'press releases'. You will find several items that will be invaluable for generating buzz for your book. You will also want to get a mailing list or two, especially the one from your regional booksellers organization.
Horton says he's available for talks and seminars on the subject of being your own publisher. Some of his stories will make you blanche while others will make you laugh out loud—and you'll come away with a lot of real world information.
Mainstream Media Think
jackson hole blog
by j.r. horton
august 2005
let’s take a look at an industry, music, that is trying to come to terms with the new media world. this is how some corporate folks are trying to identify and come to terms with a world that is simple beyond their comprehension. this report followed the napster/gnutella lawsuits of 2003 but it will give you some idea of the incompetent analysis and response to the new paradigm:
READ THIS AND SEE HOW DATED THIS MATERIAL IS ONLY ONE YEAR LATER! And this guy is in charge of strategy for the mainstream music publishing business
Jay Berman, Chairman & CEO, IFPI
The Music Industry’s Internet Strategy Is Turning The Corner
IFPI ONLINE MUSIC REPORT 2004
For everyone working towards the creation of a successful legitimate online music business, the start of 2004 brings a new sense of optimism along with evidence of real change.
Legal online services are spreading quickly across the United States, and are now beginning to take hold firmly in the rest of the world. A picture of healthy competition is emerging in Europe as legitimate services such as iTunes, Napster and Rhapsody, as well as scores of retailers, Internet Service Providers (ISPs) and hundreds of record companies, vie to break into a new online market in the first half of 2004. Availability of legally licensed music online from a multitude of websites in Europe is increasing sharply - growing during the last three months of 2005 alone, from a total catalogue of about 800,000 tracks to nearly 1,500,000 across the various legitimate services.
Public awareness of the legal issues around online music distribution, a crucial part of our industry’s online strategy, is much higher internationally than it was a year ago. Nearly 70% of surveyed respondents in four major European markets are aware that unauthorised file-swapping is illegal. Robust anti-piracy enforcement - including lawsuits against large-scale file-swappers - is increasingly accepted as the right and the obligation of record companies and other copyright holders. Market evidence appears to show that this strategy is working, with the total number of simultaneous illegal music files available on peer-to-peer services falling from an estimated one billion in April 2003 to 800 million in January 2004.
It is already abundantly clear that the music industry’s internet strategy, following the explosion of iPod on the music scene, is now turning the corner, and that in 2005 there will be, for the first time, a substantial migration of consumers from unauthorised free services to the legitimate alternatives that our industry is providing internationally. The purpose of this first such publication produced by IFPI is to raise awareness of the developments in the online music market, and in doing so, help accelerate them. This report focuses on the events that took place in 2003 as well as the prospects for 2005 - but it must not be forgotten that these are only the culmination of the work that the music industry and its partners have been doing since the mid-1990s to prepare a thriving legitimate online music business.
The rapid development during the course of 2003 of a critical mass of legitimate online services, reaching around half a million consumers in Europe by the end of 2003 - a figure that is set to increase sharply in 2004 and go exponential in 2005-6. Yet the results of our survey, released for the first time in this report, indicate a very low level of awareness of the existence of these legitimate services among consumers.
A high level of awareness among consumers internationally that distributing copyrighted music on the internet without permission is illegal. Our survey shows that in a selected number of countries in Europe, 66% of all people were aware of this.
The impact of the industry’s internet anti- piracy awareness strategies. Two factors explain the progress made in this area: the public information campaigns conducted around the world in 2003 and lawsuits against individual large-scale uploaders.
The increasing public acceptance of the industry’s use of litigation as an important option of last resort to fight online piracy. Our survey figures show that 54% of respondents support the strategy of legal action, with 19% yet to make up their minds.
The industry will use litigation internationally where necessary, as it has done in the US.Making copyrighted music available on the internet without permission is illegal in virtually every country of the world. This is not a grey area and people who are breaking the law may have to face the consequences.
The different processes our industry is developing in order to create business modelsfor the online environment. These are often underestimated and misunderstood outside the music industry.
Evidence that illegal file-swapping hurts sales of music. A survey of five major markets shows that 27% of people downloading illegally distributed music bought less music as a result...
Where Did all the Talented White Guys Go?
jackson hole blog
by j.r. horton
july 2005
let’s go back to the new digital paradigm that is changing the world right under the noses of the establishment publishing giants.
here’s a question for you: where did all the talented white christian men who ran the media world for generations go?
the present publishing world in New York is run by women for women. Hollywood is now the stomping ground of the little men who came after the giants like Louis Mayer, Samuel Goldwyn and Lew Adler, the Young Turk Jews who have brought you boundless horror, explicit sex and perversion, hedonism, adolescent playground potty humor, pessimism, angst — all packaged for the lowest puerile interest. Any significant Christian or spiritual work has had to find its own way to the screen, e.g. The Passion that was funded with Mel Gibson’s own money. luckily, he had over 200 million smackeroonies in the bank.
so what are the prospects for someone who wants to break into the world of commercial publishing? Approximately 2 million different titles are currently in print and available to the market. the industry says that about 50,000 new books come on the market each year under their auspices. with the advent of easy electronic publishing a like amount is probably produced, making it about 100,000 new titles that come to light each year! that means that the little guys, like myself, have to create quality books and promote the heck out of them. but what about the ones who get contracts with the publishing giants? Joni Evans, a publisher for Random House says that only 10% of the books published by any house earn out their advance. that means that 90% of the mainstream publishers’ books fail, and all the writer will ever receive is a paltry advance of a few thousand dollars for years of work! it also means that if size really mattered dinosaurs would still rule the earth. Instead, the inheritors of the earth turned out to stem from a little shrew-like mammal scurrying through the grass.
self-publishing is newly respectable, in stark contrast to the reception i got in 1995. i was snubbed by the writing community in Jackson Hole and a lot of them even sneered at my books, without even having read them. now it’s becoming more and more apparent that Print On Demand coupled with the Internet offers profound opportunities to the little guy with a unique, quality product. and here is a partial list of writers who began their careers by self-publishing their first, seminal, work: Ben Franklin, Tom Paine, Mark Twain (Huckleberry Finn) , Zane Grey, Anaîs Nin, Walt Whitman, Virginia Wolff, Gertrude Stein, Edgar Allen Poe, Mary Baker Eddy, James Joyce (Ulysses), Carl Sandburg, D.H. Lawrence (Lady Chatterly’s Lover), Edgar Rice Burroughs (Tarzan) and many, many more. if you think about the titles mentioned you will see that each one was a great leap into the dark, something publishers aren’t famous for. as a matter of fact, they are cowardly thralls of the bean counters and marketers who really decide which books get made — 90% of which are utter failures.
there is something else afoot that deserves mentioning. now that the feds are getting ready to make a very large segment of the electromagnetic spectrum (e.g. broadband) available for licensed use, it is possible that every person with an interest, a talent, and a copyrighted product can apply for their personal video channel where they can present any product that they come up with! More about that later. But back to books.
There are now five huge international conglomerates that account for 80% of all book revenues. They are Random House, Inc., Simon & Schuster, HarperCollins Publishers, Penguin Putnam Inc., and Warner Books/Little Brown. They make hundred of millions of dollars each year — from only 10% of the books they publish! to me, that means that there has to be more than a few nuggets and a lot of golddust falling through the cracks in the floor of the whorehouses.
as the author of several screenplays, one of which is making the rounds of American theatres at this very moment but with another guy’s credits up there on the screen, i say the same thing is true of the monster film production companies. they are churning out tides of dreck while all the good movies are the products of independent producers.
Here is a poem that i dedicate to New York, as well as Hollywood.
HOLLYWOOD
Look on my works, ye mighty And despair
— Percy Bysse Shelley—
I see
A horse fair there Under the tumbled overhead Traffic exchange Near where the air machines Used to go
Mules Llamas Donkeys Horses fair and foul Dickering horsemen Do business in the dozens While their bickering drovers Wager drink and strut On their one day a month in town
Along a track Tall-wheeled carretas lumber and squeak One carrying the gap-toothed produce man His corn His worn wife His wary children To the market on Fairfax road
A relict overpass has been bricked up With scavenged cinderblock Turned to tenements where Two peasant gossips Rest their milk-damp bosoms On plump and dimpled arms And stop their chat To wave at the carretero's wife
Back down that track The Santa Monica Trace ends At the wrecked pier Where coastal lighters carrying oranges Nuts and livestock Avocados and dope Bump against stumped pilings
A straw-hatted captain Bullies barefoot stevedores Who hump their burlap burdens up the plankway While their epicanthic compadres Give him the finger behind his back
And atop the bluffs Among the shifted and tumbled Tiers of scavenged buildings The exotics Bougainvillea English ivy Oleander Riot
Down a lane That wanders 'round the wrecks There is a cleared place park-of-sorts Grassy and green Bordered by wildflowers Where children shout and laugh Unwary and unafraid Innocent again at last Playing tag beneath the hangman's tree
Across the coastal campana On a hillside Overlooking the Cahuenga pass Which leads To a waterless abandoned valley To scorched interior hills Carpe diem A bloom-cheeked gal Ravenhaired and horny Works her soft belly against her wine-drunk Sparkling youth His codpiece skewed As they laze in the shade Next to the wicker-covered jug While their horse switches his tail Stomps a hoof Ripples his hide at the flies
And above them on the hillside Giant tumbled letters lie Gripped by ivy Meaning nothing
Hollywood
Keeping the Frequent Flyers in the Air
jackson hole blog
by j.r. horton
june 2005
they call them airplanes but they don’t run on air, they run on light kerosene and that is derived from oil, something that seems to escape the environmentalists who help lay down all those contrails that pollute the upper atmosphere as they hurry back and forth between their million-dollar houses in California and Washington D.C. to lobby the government against the oil companies.
i spent more than twenty-five years doing seismic surveys in search of oil reserves in the United States including Alaska. Then, in turn, i worked in Mexico, Yemen, Oman, Egypt, Tanzania, South Africa, Peru (three times), Ecuador (two times), Bolivia, Venezuela and Chad. i have worked for most of the major oil companies and know their corporate personalities. more on that later.
when i was a kid i wanted to be a teacher. at the dinner table i had stared at my father’s work-battered hands, deeply fissured from the cold and sun, the red cracks showing remnants of the black grease and dirt he had absorbed while working on giant earthmovers like D-9 Caterpillars, power shovels and enormous electric draglines. i wanted to have a job that meant clean hands and, please God, weekends and summers off.
I finished my first year of college, which my Dad paid for, then realized that if i was going to get any more education I’d have to pay for it myself. working in the coal mine summers then living like a coyote during the school year didn’t have that much appeal for me so i decided to look for another route. after some thought i came up with a plan: I’d join the Air Force for four years and get another year’s or more college credits while i was serving. If i applied myself I’d come out with enough GI Bill benefits to allow me to finish a B.A. program and go on for a Master’s degree. i got lucky. a basic training instructor told me that if i had taken any foreign languages in high school i had a good chance of going to one of the several language schools the Air Force had. i passed the test and, omigod, got orders to attend Yale University to study the Chinese language! whoa!
then i woke up one morning in the basic training barracks with an enormous lump under my jaw. i went to sick call where they referred me to the base hospital. there they found that a tumor in my left salivary gland had caused the problem. Didn’t look good. but when they cut it out and did a biopsy the tumor proved to be benign. good.
not so good. because I’d missed my orders for Yale they said I’d had my chance and was bound for either Cook or Cop school, and that was it. The Air Force needed me where the need was greatest — cooking or copping. shit.
dejected, i phoned my mom and told her what had happened. she was sympathetic but what could a mom do? well, she could tell her mom, my grandmother, the only Democrat in northern Lincoln County, Wyoming. first, some history.
the year is 1961 and John F. Kennedy has just started his term as President of the United States. at the Democratic Convention the year before the state of Wyoming’s delegation, lead by Senator Gale Magee, had given Kennedy the votes that put him over the top and made him the candidate for the party. needless to say, JFK and Gale Magee became close friends at that point in history.
flash forward: Jon Horton is tossing restlessly in a basic training bunk as he thinks depressing thoughts of becoming a cook or a military policeman for four long years. At 5:00 AM a flashlight is shone in his face and the CQ runner says, “Horton, the Captain wants to see you in his office at 0600 and look sharp because he’s mad as hell—good luck.” damn!
what had i done to offend? very little, it turned out. but what had my grandmother, the only Democrat in northern Lincoln County, done? well, she’d phoned Senator Magee and asked him to intervene in the sad case of her wonderful grandson Jon, born a Democrat and committed to the faith. Wyoming is a big state with a small constituency and the wishes of a towering Democrat like my little grandma was not to be ignored.
I went to the Captains’ door and knocked. he screamed, “COME IN” and i opened the door to take three paces inside and stand at rigid attention. the man was apoplectic. he glared at me and said, his voice shaking, “I hate you political bastards!” me? i hadn’t even voted in my first chance to participate in the system. huh?
the man leaned back in his chair and, i swear, broke a pencil he’d been gripping in both hands. “You will receive orders for the next foreign language assignment, which is for Russian at Syracuse University.” he threw the broken halves down and leaned forward. “Now get the fuck out of my office, and if i see you for only one second between now and the time you ship out i will have...your...ass.”
the only time he had a shot at me was one day in the Base Exchange but i dropped what I’d been shopping for and did a low crawl down the aisle, out the door, and onto the path to language school and a career as an academic. after all, i could see that one year’s worth of college credits from Syracuse University was a gimme and if i took some more courses during the remainder of my service, with the G.I. i could even consider the possibility of graduate school and a vaulting academic career! Like they say, if you want to hear God chuckle, tell him your plans.
to cut to the chase, i got a B.A. in Russian Language and Literature, then i did all the coursework for a Master’s degree and had nine hours toward my Doctor of Arts but it was 1974, the year the National Organization of Women hijacked the Affirmative Action bus. You’ve already read my rant on that subject.
a wise man once said of American women, “they control 75% of the money and 100% of the pussy and they still want more control.” And i think he was onto something.
I got up, dusted myself off and muttered, What the eff do i do now? why, go to the oil patch, that’s what. there was an oil boom broaching in western Wyoming and when i returned to my old stomping grounds i walked into the most exotic cultural phenomenon since the 60s. look at my photo album Seismic 1 for verification.
And so i abandoned the faerie world of American academics and stepped into the world where my fictional hero, Tommy Thompson, would prosper, fall into Hell and make his eventual way painfully back. he is the Hero with one of a thousand faces, as Joseph Campbell called him.
excerpt from Murder in Jackson Hole a novel about the real West
In those days, the soaring prices of oil had made helicopter oil exploration affordable. The original Overthrust Belt lay just south of Jackson Hole. It had grabbed the curiosity of exploration geologists for years, but the standard technology for data acquisition was not feasible in the mountains. The traditional truck-mounted equipment could not get onto the steep, mountainous terrain. When the government told the oil companies to use it or lose it in the form of his windfall profit taxes, they decided to spend their money on going into the mountains. Instead of trucks they would use helicopters, even if they cost more than $1,000 an hour to operate. Fugitive tax money could be scored by the ton.
“Portable" oil exploration originally attracted ex-dishwashers and other loners, outsiders, fugitives and adrenaline freaks. Budding ecologists and outdoor enthusiasts soon added themselves to the mix. That odd brew was a hybrid the likes of which no one had seen before. In short order the juggies, had created a lifestyle that included rigorous work, hippie-derived dress, a semi-holistic philosophy, state-of-the-art outdoor equipment, school buses converted to mobile homes, promiscuous sex, helicopters and copious drugs of all kinds.
Such a sociological phenomenon was derived from the hippie movement and dovetailed perfectly with the budding environmental movement. In a fundamental irony at the heart of the thing, here was the favorite boogie man of the Big Environmentalist—Big Oil. And Big Oil was underwriting this outbreak of Gypsy environmentalism. It wasn't unusual for juggies to vandalize the equipment of their own crew for some trespass against one of the constantly shifting tenets of environmentalism, then move on to another crew. Most of these people were new to the mountains that brought out feelings that they had never had access to before. Ah, here was the Nature of the Transcendentalists, at last.
In the background played a mongrel mix of music: the Country folk sentimentality of John Denver hashed in with the white soul of Jackson Brown and the rocking boogie of Foreigner and The Cars. Taken all together, one hell of a mix, fueled by Jet A, Michelob, mezcal, Black Jack, Peppermint schnapps, adrenaline, Lebanese blonde hash, Moroccan brown hash and hash oil from Afghanistan, Thai stick, Oaxaca gold pot, Maui wowie, Panama red, Black beauties, Yellow jackets, Reds, Mexican black tar for the needle freaks, big shrooms, little rainbow shrooms from the cow pastures in Oregon, 'luuds and a local mixture made by hippie chicks in Wilson of mescaline ground up with rosehips and other herbs that they bagged into grams and called Jackson Brown. It joined whatever else the screaming jeebies demanded the Juggies dump into the pharmacopoeia in an attempt to reconstitute some form of the sanity most of them had left their mother’s side with.
And Bugs Rios fit into this mongrel scene slicker than a preacher's prick in a heifer calf: Populist, anarchist, transcendental philosopher and needle freak. It was a dangerous game for Bugs to be playing. Dave had known Rios was a two-time loser and if he was busted for any one of the things he was involved in he could go to prison for life. But adrenaline was another one of Bugs' addictions and he thrived on the dangerous illusion being able to outthink and outrun the law enforcement types. No matter how you cut it, he was one delusional, and dangerous, son of a bitch.”
This I Believe—An NPR Essay
jackson hole blog
by j. r. horton
may 2005
The only thing that will save this planet's sentient life is a fortuitous population crash of Homo sapiens sapiens, that scientific term that has become so ironic.
During my research for a new novel i had the occasion to do a lot of reading on the biblical apocalyptic literature, messianism and the End Times in general. If one reads the material as metaphor and the fount of ancient knowledge it doesn't take much to see that there is a lot of practical experience at the heart of the story. i am particularly impressed by the story of the 17th century German philologists who first studied the legends and literature of the Hindus. They came away impressed by the scale of the fantasmic myths of the culture. There were references to kalpas and other measurements of time that translated to billions of years, and this in a time when Europeans nominally measured the time span of the universe in the low thousands of years.
The professors quickly discounted the stories of consecutive births and deaths of the universe as vaulting myth. Now, of course, we routinely hear accounts of events measured scientifically in the several billions of years. And while the global community at large disputes the idea, that hoary culture maintains that through it all, unimaginable apocalypse after apocalypse on a breathtaking scale, the spirit and soul that animates us is preserved unchanged. And that even at the heart of complete material nothingness.
In the face of that possibility it is easy to say, "Then let it all go, we need a new start." But that doesn't take into account the tenacity of the human race, even in the face of seemingly impossible odds. Let me tell you a story from personal experience that may illustrate that trait as a source of hope.
I worked in Yemen once as an oil explorationist and as a child i lived in tiny, isolated desert communities in Nevada. To my limited mind it was a scant, hot world of rock, greasewood, rabbits, sand and snakes. However, my first impressions of Yemen beggared that world. Here was a landscape blasted of almost everything, a land of sand desert and rock desert, of ancestral savannah dried to hardpan littered with ostrich egg remnants and projectile points, of rivers now wadis of sand and boulders. Petroglyphs on sandstone monuments erect in the hot desert testified to a world once populated by the ostrich, lion, cheetah, and various herd animals. It was a time of plenty that supported the ancestors of the Queen of Sheba, mistress of one of the richest kingdoms of the biblical world. But now it is the home of some of the toughest, most tenacious people on the planet.
One time, after a scouting foray, i was waiting for a helicopter in the shade of a rock ridge atop an escarpment that rose above the desert almost a kilometer. Suddenly, a small Toyota pickup hove into view and moved to a point about a hundred meters from me then stopped to discharge four women, a stack of burlap and a bundle wrapped in cloth. The driver, a man, then drove away by the way he had come, following the tire tracks that were the only thing to mar the dirt waste.
I stood and walked a few yards toward the women, wanting to get a better look. They were frightened by my appearance and took knives out of their waist bands, the knives worn to little more than crescents by hard use and sharpening on sandstone rocks. i raised my hands in a gesture of peace and retreated to my shade as they each took a square of burlap from the stack and walked down into the undulant catchment lips of the escarpment.
It was three days before i returned to the spot and got out of the helicopter to wait for operations to begin. i noticed that there were four large round objects, perhaps a meter high, set in the place where the women had been let out. i walked down to examine them and found they were tightly packed bundles of grass a meter in diameter, apparently forage for animals. The grass was not the hay of our experience but dry and wiry bunch grass that grew in scattered clumps to a height of, perhaps, three or four inches. Beside the haystacks i saw where a fire had been built and tea brewed, the remnants of English Rose tea cartons tossed aside near the bundle I'd seen days before, now holding only the teapot and a gallon plastic jug that had held water.
It is hard to imagine the labor expended by those women. The clumps could have yielded no more than half-a-handful of grass each but the women had, in three days of labor in 125-degree heat, harvested four square meters of hay for their goats and sheep.
The women were nowhere to be seen but i suspected that the arrival of my helicopter had sent them scurrying away to hide somewhere in the blasted landscape. And, sure enough, as i heard the Toyota laboring back toward the site and retreated to my landing spot, the women appeared and hurried to their rendezvous spot to be picked up. They were apparently the four wives allowed by muslim law to each man and their husband was back to profit from their labor.
As for the children of that rocky, heat-addled world, the living were most often stigmatized by noses running with thick mucous, testament to their immune systems trying to fight off the viral diseases common to that almost merciless world. While i was there a plague of meningitis and flu had moved up the Hadramaut valley from the distant coast and as we passed the rock villages there was almost always a funeral cortege carrying one or more small coffins to join other fresh rock mounds of the graveyard.
This is a cautionary tale, of course. But it is also a testament to those of us who will remain after the devastation of the environment, the reality of which is no longer a real debate. If you examine all the problems and plagues of the planet you will find very few that are not directly attributable to the crush of over-population. The historical brakes on that problem — war, famine, and disease — now galvanize an almost instant and effective response by well-meaning armiesbent on succor in the name of charity. And they obviate the attempts by a weary earth to rid itself of the debilitating itch turned septic that humans have caused. It simply cannot go on forever. Some day, some time, there will remain only a few of of us and we will be tough, self-reliant survivors living in the little that is left. And that is not an if but a when, mind you.
This is not a message of dismay but one of hope for the re-efforescence of a changed world. We are survivors even if, as the Hindus know, it all squeezes down to less than nothing and only our spirit, our souls, remain.
A Mountain West Writer's Compass
jackson hole blog
by j. r. horton
april 2005
i have been reading Terry Tempest Williams again and i am struck by how our views of the West are so alike yet unalike when looking at the mountain west from the perspective of those with Mormon pioneer ancestry. whether you are a practicing member of the LDS church or a jack mormon (a reference to a male mule that looks good but is sterile) Salt Lake City is still at the center of your literary compass.
people ignorant of the history of Mormon culture think of it as represented only by the Mormon Tabernacle Choir but in fact the artistic heritage is both broad and deep. from the beginning LDS artists and scholars have been a fairly cosmopolitan bunch, adept at religious speculation, architecture, world-class choir and symphony production, painting, English-style gardening, hymn writing, acting and some of the best tv production in the world, to mention a few. Then there are the eminent contemporary writers like Terry Tempest Williams.
once established in Utah Territory Brigham Young began to send missions out to the world at large. for instance, missions were established in Polynesia by the year 1850, three years after the hegira to the Great Salt Lake country. one of the most interesting missions, however, was to the south of Utah during the Civil War.
when Brigham Young realized that the Union blockade of the South would mean a shortage of cotton he called up several hundred of the faithful to go to southern Utah to establish a cotton economy. the economic potential was tremendous because in addition to the civilian population, millions of northern soldiers needed cotton cloth for uniforms.
the mission to Dixie as southern Utah became known in the Mormon world was interesting for its history but it came to be known as a folly whose costs in pain and mortality are an ad exemplum of the the pioneer spirit that built the bulk of the mountain west's culture.
southern Utah was one of the very last places in America to be explored, most famously by John Wesley Powell in his expedition down the Green and Colorado rivers. It is only peripherally noted that when the ragged expedition exited the maw of the Colorado they landed at Lee's Ferry which had been established for almost thirty years to serve the relict pioneers of the cotton mission.
the southern third of Utah is little more than rock, canyons and sunlight that now serve as a tourist destination. but in the 1860s the country was little more than an anvil for the sun, mostly bereft of water and its attendant greenery. but to the faithful the hardships were acceptable when it was in service to the church. And the pioneer stock of those days was some of the toughest to ever carry the ensign of the Mormon mission.
let me tell you one story of what was demanded of the first settlers in Dixie — Terry Tempest Williams' people.
the wagon train that carried the missionaries south were led by several scouts who rode ahead to find any possible route south to the Colorado River and its water for their planned plantations. those scouts had to range far and wide in the heat to find ways through the almost impossibly rugged rock and sand. they finally reached a point that seemed truly impassable — a canyon several five hundred feet deep with walls that rose vertically from the beckoning green far below.
the elders were taken to the impasse and they counciled, debated and prayed. one of the men was inspired to a plan and they laid it out, then sent for the wagons. a route was surveyed across and down the vertical face of the hot rock then men were lowered on bosun's chairs with short handled sledge hammers and star drills in their hands. sitting on a board far above the canyon bottom they drilled a series of holes in the face of the rock, using black powder to shoot out the holes to anchor poles. Once the poles were wedged into the sockets, boards sawn by hand were tied and nailed into a plankway that descended gradually to the bottom of the canyon. Wagons were broken down and carried down by the men, then the draft animals were blindfolded and led down. supplies came next, followed by the terrified women and children and the mission was re-assembled to move on into the far country where they built towns and planted gardens and fruit orchards instead of cotton. other routes were found and other pioneers joined them to build a unique assembly of the Mormon culture.
Those folks are Terry's people. my people, on the other hand, were led by my great-great grandfather to the northeast and into western Wyoming, joining a poor colony in what is called Star Valley. grandpa was a miller and sawyer who built his own mills that produced flour and building materials for the pioneer community in Woodruff, Utah before being told about the colonizing effort in the valley to the northeast. he took two of his many sons to help him to build a grist mill and saw mill. when my great-great grandmother Aunt Mary, the last of his eleven wives, arrived in Star Valley none of the three men had shoes left, working in the mills in their bare feet.
in southern Utah the sun and rock were the main obstacles to colonization. In Wyoming it was the snowy weather and by way of illustration I'll tell one story that should illustrate it for you.
each autumn the colony in Star Valley would put together an order for supplies to see them through the following winter. those supplies were then shipped by rail from Salt Lake City to Montpelier, Idaho on the Wyoming border. the men and boys would then take a wagon train up Crow Creek then down Montpelier Canyon to load the supplies and return. but one winter in the 1880s they were ready for the return trip when an early snowtorm hit and snow fell for days. when the storm was over the men were faced with almost fifty miles of snow that varied from three to six feet deep.
the men counciled, debated and prayed. then they went to work. two men were assigned to shovel for half an hour, making a way for the wagons to follow. they were relieved by two other men who shoveled out the road, and so on. they shoveled up Montpelier Canyon then over the Crow Creek road as the wagons full of supplies followed. each night they made camp at dark then rose at first light to begin shoveling again. One man was sent ahead on snowshoes to notify the people in Star Valley of what was happening and a small army of men began to shovel their way toward the advancing wagon train. they met somewhere on Crow Creek. that winter was so bad that all the summer hay was soon exhausted and the people were reduced to stripping the bark from the giant Cottonwood trees that followed Salt River through the valley. under the bark if cottonwoods are a layer of paper-like filaments nutritious for animals. most of the animals were saved but the unfortunate result was the death of the great cottonwoods and the early history of the valley was memorialized by ten miles dead and bleaching monuments to the costs of pioneering western Wyoming.
and so, those are two stories meant to illustrate where people like Terry and myself come from. when her people went south there was no one to greet them except the hawk, the owl and Coyote. my people were met by one of the last mountain men, a profane character named Money Welch who lived in a dugout near what is now Auburn, Wyoming.
so, back to my compass. Salt Lake City was established on July 24, 1847 and the faithful radiated out in all directions until they settled an area bounded on the south by the Colorado River country, on the west by the California Sierra mountains, on the north by the Salmon River in Idaho and on the east by the west slope of Colorado. Each descendent of those people who settled that vast country beginning almost a hundred and sixty years ago are imbued with a strong sense of where they came from. and they came from what became known as the Crossroads of the West, Salt Lake City. It's a compass bearing in the blood.
excerpt from Murder in Moab an authentically western novel
Tom exited I-70 at the Moab off ramp and worked at dialing his mind up as he drove toward the town. But he noticed a sign that said Dead Horse Point and turned off the highway onto a national park road that badly needed grading. After a few miles of rainbow rock he turned into the Dead Horse lookout and parked. It was windy on the viewpoint, a vertical half mile above the Colorado River and he guessed that the heights always caught the wind that was blowing now.
The view out over a profoundly crenelated and riven world was more than spectacular. This was the face and red muscle of the earth's middle age. Here were the wrinkles of a restless, reckless youth. The wear and tear of time gave the panorama the look of a hard-earned serenity gained from the coming and going of countless dry aeolian and wet maritime tides. Here Tom could feel the immense weight of the eons it had taken to prepare this view for him—a gift from the ages.
For a moment, the shortness of his space in all creation was as breathtaking as the view. Then he was affected by the understanding of the passing of his part in all this — a miniscule spark struck from the iron core of the world. But at this moment he was immensely thankful for the gift of being chosen to live at all. The vast scene laid out before him made his personal pain disappear into a very real humility.
He was all by himself this early morning on Dead Horse Point and the moment was undiluted by any other human presence. It was his alone. No one would ever know that this trice had happened. No moment shared, no conversation, no photo or other memento of this morning. His alone. Another gift. He stooped to pick up a stout juniper twig blanched by the sun and polished by the wind. He popped it against the leg of his Wranglers as he walked to the edge of the abyss above the river.
Geology is the grammar of landscape, he knew. When you know the basic lithic structure an inspiring view has meaning founded on knowledge, rather than sentiment. To his mind, the art of a landscape painter ignorant of lithology could never be true art.
As Tom looked out over the enormous view now being lighted carefully by the sun, his mind expanded to take in the sweep of time that lay before him.
At one period, all that lay before him had been the episodic shores of a thousand consecutive shallow seas, verges of an ancestral ocean that was static while the North American continent wandered northward past the equator. The mind of the tiny figure above the colossal canyon ran back hundreds of millions of years and a sea spread out before him that was colored by red sediments as the tides' lapidary effects drew the pigment into itself. A low sun, also red, added its color to the iron-rich, blood-red scene and the lapping water and scouring onshore winds of lost eons blew across his imagination.
Each shallow red sea had been finally filled by rivers and streams as now-lost mountain ranges melted and ran, only to be lifted and eroded to sand again. And again. The water became laden with minerals and shallow water creatures that fell after their seasons were done, then sank to the bottom.
The burdened sea bottom sank almost as fast as it was filled in. Eventually, the waters dried up and became a catchment basin for the riverloads of material from ancestral mountain ranges. Then it began to slowly lift. The rock beds were distorted only occasionally and remained much as they had been when born of pressures from below and above as random molten currents slowly muscled the magma body beneath the skin of the planet.
Small gullies became intermittent streams as the land undulated somnolently. They matured as the terrain steepened and became small rivers that joined other arterial rivers to become the ancestral Colorado and Green Rivers, as well as lesser known ones like the modern Dirty Devil, Virgin, Dolores, and Escalante.
And so, it was these rivers which now became the prime movers in sculpting the land. While the winds and sand, the frost and sun, worked at polishing the deserts and rock ramparts, the rivers cut their channels much faster than the other forces of erosion did their own work. As the canyons became deeper, as the land was scoured by the rock and sand-laden water, the ramparts were undermined and collapsed. And so the cliffs retreated and the view from Dead Horse Point was sculpted for some lonely man to look out upon and egotistically think of it as his own, if only for a moment. But to be able to personalize the feeling of standing on a mountain and feeling more than a billion years under one's feet, and to understand the course of its creation, is not the scant luck of a lizard.
The serpentine course of the Colorado far below reminded the man of the sine form at the heart of propagation and evolution, of creation and dissolution. This river was bound to level the whole landscape that Tom's eye could encompass, and much more — it would be in process long, long after Man's brief strut across the stage of creation and dissolution.
He remembered Dr. Spores telling him about the German philosophers who had found a memory of the death and rebirth of the whole universe in the seventeenth century memories of Hindu sadhus. The mind of Man is also the mind of God they said, and so the memory of Man must be drawn after the memory of God. It made sense, but on the other side of the question, what about the idea that there was no God at all? Then he remembered a moment described by an ex-drunk in the Alcoholics Anonymous Big Book. Sunk beneath the crushing weight of his addiction and atheism he had heard a still, small voice ask: Who are you to say there is no God?
As the dwarfed figure looked out over the miraculous view from Dead Horse Point, he had a moment of clarity. His own desolate mood probably made it possible, but he was struck by the worn beauty of the absolute wasteland laid out before him. The whole history of the mammals' time on the earth was little more than a miniscule cystic geode embedded somewhere amid the enormous ocean of red rock. And it was likely that humans' red-blooded prototypes first came into being in an oxide-laden sea like the one that had created this carmine landscape.
Blue crabs, Tom knew, were blue because their blood's base element is copper, rather than iron, and they had come into being in some blue-green sea eons upon eons ago. In that iteration the earth, seen from space, might have appeared green as the number five ball in a game of pool. That impossibly remote time had preceded the red seas of the Wingate formation and the earth's present-day blues. Perhaps the creator's plan is to someday open a seam in the globe and summon up a world of sulphur to paint the world yellow as the one ball. And as it went, so it goes.
Like an angelus, he was struck again by the privilege of the epiphany he was undergoing and stunned by the ravaged beauty at his feet. Several worlds had died, been resurrected, died again only to be born again, and he was a competent witness to the patient and relentless disintegrating-reintegrating pass of time. Shiva, the Hindu god of death and resurrection, could surely have made a home in the land spread out before him.
Tom took in a big breath and held it as goose flesh rose on his arms. The scale of this gargantuan red work inspired a wonder that even the immensity of the Pacific Ocean had not inspired in him. "Thank you," he said aloud. Talking to God, again.
The usual take when looking out on this landscape was supposed to be one of despair at the short course of the observer's tiny life. Not so for Tom. The fact that he had been allowed the gift of looking out over this masterwork and understanding its history and mechanics struck him as being a precious gift. This poor creature, Man, had a sharp intuition that evidenced an intelligence even larger still, and that was comforting.
Tom was also reminded of Willow's happiness with the idea that each human contained a piece of God and was integrated into the whole history of creation — infinitesimal, yes, but indestructible all the same.
He raised the gray juniper twig over his shoulder, flipped it into the windy abyss and it fell, twisting and wobbling, out of sight. And the man turned and walked away, stronger for having been able to measure the span of God's hand against his own small reach.
Print-On-Demand from a Small Publisher's POV
jackson hole blog
by j. r. horton
march 2005
last month i said I’d offer my analysis of the value of Print-On-Demand. basically, when you write for a publisher your share of the pie amounts to between four and seven percent of the gross — and no publisher can tell you what that number really is. bad accounts receivable, damaged books, returns, etc. etc. effect the number. in other words, the author’s share is reduced by the publisher’s liabilities and inefficiencies. on the other hand, as one’s own publisher you receive fifty to sixty percent of the gross and know exactly what the real deficiencies are. that said, here are some thoughts on the advantages of the new technology and the new publishing paradigm.
For the Bookseller
1. NO BACKORDERS. Small orders are fulfilled by POD in the turn they are received, even if it is for only one copy. Booksellers have orders of, for instance, only one book fulfilled with the same dispatch as an order fifty.
2. Another profit center in what is now a marginally profitable business.
For the Publisher 1. No receiving and handling cases of books=no labor or labor costs.
2. No storage costs — this is normally a line item, and it is expensive.
3. No fulfillment costs. Saves the time, effort and labor of shipping.
4. No taxable floor inventory.
5. No billing and accounts receivable!
6. Receipts deposited automatically in the company account.
7. Complete tax info available in fiscal year-end accounting from POD.
The Downs
1. The POD i am using at the moment is owned by Ingram and, so, by Barnes and Noble. Because of that you can get some Microsoft-style corporate arrogance on occasion. i am seriously considering changing to BookSurge because it was recently bought by Amazon and they almost always make quality products. 2. Most other distributors are not hip to the new paradigm or, because of Item One above, are hostile to the concept. Getting them to carry POD titles is a slog, most especially because the Barnes and Noble printer charges prohibitive prices to distributors other than the house’s Ingram. 3. Ingram has not made it clear on its web site that, when the book title's screen appears and reads "On Hand: 0" and "On Order: 0", the book is still available through POD. It's a minor item to them but it has cost us many, many orders.
4. On Demand publishing is too often considered vanity publishing by the book trade. The upshot is that not very many booksellers and others in the trade want to go to the trouble of examining this new way of doing business. The saving grace is that very few of the true vanity books are professionally promoted by the authors and soon disappear from view. However, business is business and ignoring potential sales in the present book world is risky business. Fulfilling orders, even if only from near relatives of the author, yields the usual 40%.
5. Because of the above, orders are fewer than in the established, but much more labor-costly, ways of producing, distributing, and selling books.
6. It's expensive. All the above "ups" are handled by POD and they charge handsomely for the services so, in the end, the profit is only marginally larger than for the normal process. But, finally, it's worth it to us.
7. Accounts receivable are held by POD for 90 days, drawing interest the while. See Item One above.
For the Author
1. Publishing history is replete with stories of successful books turned down by tens of publishers, including Mark Twain’s Huckleberry Finn and T. E. Lawrence’s Lady Chatterley’s Lover. Like those immortals, the author who is writing outside the mercantile mentality, Print On Demand is often their only chance for recognition. It also avoids the now common New York practice of politically correct editing. In other words, the author has a shot at having their book find an audience on its own—and that's just about all one can ask for.
excerpt from Murder in Moab an authentically Western novel.
When Tom had been in the alcohol rehab program at the Vet's hospital he had learned that he was fear-based, something which had taken him by surprise. He had spent his whole life, up to that moment, proving that he was afraid of nothing. The epiphany that he was afraid of everything had been a surprise, but liberating at the same time. It was the key to all his hidden feelings, the key to the crypt where his buried self had been secreted away. Secrets. One of the verities of Alcoholics Anonymous, where he had spent years excavating that buried self, was: You are only as sick as your secrets.
Tom took a deep breath. "I'm going to tell you a story I've never told anyone."
"Not even Mom?"
"Not even your Mom. Especially not your Mom."
The son looked at his father expectantly, suddenly trusting.
"One time in the war me and my team went to this house. We were looking for a spy. This spy worked in a...well, it was a whorehouse. This spy was a woman, a beautiful woman who was getting lots of information from military officers who went there, got drunk, then talked to her about things they weren't supposed to talk about. Big secrets." Tom took another deep breath and raised his eyes to the wall. Yoda's gentle green face stared back from a poster. "I won't go into it, except to say that the woman got killed right in front of me.
My team leader, Linc Stockman, shot her as she was running across the courtyard and she was only a few feet from where i was standing when the bullet hit her. i saw it all. Up real close."
He looked down at Jackie's face and he could see that a fragile bridge had been thrown across the crevasse that had separated them for so long. It was the first time in years that he could see trust on his son's face.
Tom put his hand on his son's hand, looking for strength enough to tell the long-hidden truth.
"Son, she was a close friend of mine."
"A friend?"
The father nodded, knowing he was going to have to confess it all.
"Her name was Da Ly Huong, which means Magnolia in Vietnamese, but we called her Dolly. I had spent a lot of time with her before she was killed—in her bed and other places, like when we went shopping together and I bought her things. I was more than a little bit in love with her and she turned out to be the highest ranking spy in Danang."
Tom felt tears coursing down his face again. Dammit. He hunched his shoulders, closed his eyes to stem the flow and was comforted by the feel of his son now squeezing his hand. That touch drew the two together as the dank memory was exposed to the air.
The memory that had tried to strangle him in his sleep for more than twenty-five years included the wait in the moon-bathed garden thick with the smell of night blooming flowers and the big moths drinking nectar. There had been a sudden noise from the house and he saw a slight figure running toward him, then a shout for her to stop. Tom saw her reaction to the sight of him waiting with pistol drawn and her staggering stop. Then the sound of the shot and the grotesque disarticulation as the bullet passed through her body and her disanimated little body flopped to the garden stones like a sack of dropped garbage.
He had gone to her and saw the black blood soaking her beautiful ao dai, saw the irreparable damage to her tiny body.
Then he heard her whisper, "Oh, Ton, you numbah ten." And her soul jumped away from his touch.
The shot had come from the veranda of the colonial-era whorehouse, fired by his best friend Linc. But in the horror of the recurrent, suffocating, nightmare he, Tom, is the one who shoots the girl.
PTSD therapy had brought to light that Tom had gone on the mission happily, full of a sense of having been betrayed by his lover to whom he had divulged secrets that may have led to the death of American soldiers. Smoldering in self-righteous anger, he had waited in the dark, thinking he could kill the woman gladly if she was armed, if she resisted. After Dolly's death he, like his son, his dreams had grasped him by the throat and accused him of the deed itself. His own perverted conscience, glad for a chance to attack, had waited in the dark for years.
Then, under the grace of his son's embrace Tom saw her face again the exquisite face of the most desirable prostitute in Danang. He visualized her smiling happily as he slipped a thin gold circlet onto her impossibly dainty wrist. The perfect little hand, the lovely brown eyes and the bright smile burgeoned and took on life in his remembrance. The vision said, Thank you, Ton. You good man. You numbah one.
The rich tropical light of the afternoon shone again on her pink silk ao dai and the smell of her orchid perfume filled his head. That lovely scene now overlaid the old horror that would never return to haunt his sleep again. He had confessed his greatest secret and been redeemed by the unconditional love that coursed into him through the embrace of his son. And Tom finally gave himself up to the ancient woe.
And the child becomes the father to the man, someone wrote somewhere. And the man who wrote it knew God's own truth.
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